Showing posts with label Smile For The Camera. Show all posts
Showing posts with label Smile For The Camera. Show all posts

Tuesday, November 10, 2009

At The Drop Of A Hat


[This post was composed for the 18th Edition of Smile For The Camera ~ A Carnival of Images]

My mother, Jacqueline Austin MacEntee, would get in the car and drive almost anywhere - at the drop of a hat.  It was not unusual for Mom to put over 40,000 miles a year on her car.  The trips covered mostly the East Cost - all the way from Maine to Florida with occasional excursions beyond.  They included:
  • weekly trips to visit brothers and sisters (usually 45 minutes or less)
  • trips several times a year to see sisters in New Jersey (about 2 hours)
  • visits to Washington, DC to visit me while in college (only 6 hours)
  • summers in Rehoboth Beach, Delaware (about 8 hours if we took the Lewes ferry otherwise 10 hours)
  • monthly visits to Virginia Beach, Virginia to see her grandchildren (10 hours)
  • trips twice a year to Florida to drive a "snow bird" relative down with their car and then flying back
    (required an overnight stay but a 2 day trip in total)
And then I can't even remember the countless shopping trips to places like Oneonta, NY or Scranton, PA because there was a sale!  Oh yeah, add in the trips at Christmas and Easter down to New York City to see a Broadway show or perhaps the Rockettes at Radio City Music Hall.

Mom was comfortable driving and was a very good driver despite having a bit of a lead foot as she got older.  I think because she worked for the police station in a small village which entitled her to a police badge, she was emboldened to tempt fate.  I would shrink into the passenger seat in embarrassment whenever she presented her license to the officer who had pulled her over, knowing full well she had placed it right next to her police ID card.  Only wrapping it in a $20 bill could have been more embarrassing!

The photo above is from the early 1990s when Mom would drive down to see my grand aunt Ethel McCrickert Macari Hannan who lived by herself in Fort Myers, Florida.  About 1998, just before Mom was diagnosed with early dementia as an indicator of Alzheimer's Disease, she made a final trip to see Aunt Ethel and discovered one or more persons had scammed her out of most of her life savings.  There was no air conditioning in the house, an extra bedroom filled with "prizes" from dubious sweepstakes companies, and a once dignified woman who had lost the ability to take care of herself.

So Mom made a journey that I soon would be making: she became a caretaker for an elderly relative by moving Aunt Ethel up to her home in New York.  The next four years before Ethel passed were, quite frankly a living nightmare - and a glimpse into another nightmare waiting for me and my mother.  As Mom's disease progressed and overlapped with the decline of her aunt's, very often life in that house was a scene out of Arsenic and Old Lace with two batty old ladies.  When I called or visited I was just afraid to ask "how things were" only to be told the latest mishap or adventure!

After Ethel's death, Mom declined quite a bit and the mental impairment greatly affected her driving.  Finally we had to have her gerontologist send a letter to the DMV asking them to revoke her license.  Rather than suffer the shame of having to appear and take a written and a driving test, Mom figured it was for the best to give up her car.

Traveling was Mom's lifeline and while losing the car was like turning the key on a prison door and throwing it away, I needed to ensure not only her safety but the safety of others.  I remember all those trips, all those good times, all the adventures and all the fun we had.  Memories are what we have left when the body no longer cooperates.  And as in this post, I strive to document the memories so my nieces and nephews and the rest of my family really understand how my mother lived and loved life.

Photo: Jacqueline Austin MacEntee, abt. 1990, Fort Myers, FL. Digital image. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois, 2009

© 2009, copyright Thomas MacEntee

Thursday, June 11, 2009

Wedding Belles - My Great-Grandparents' 60th Anniversary




This post was composed for the 14th Edition of Smile For The Camera ~ A Carnival of Images

I can remember the 60th wedding anniversary party that was held for my great-grandparents, John Ralph Austin and Therese Rose McGinnes, as if it were yesterday. I just wish I had more photos of that warm day on May 30, 1975.

Grandma and Grandpa - as I called them - were married in Manhattan, New York on May 30, 1915. I have no pictures of that day but I do know that they spent 60 wonderful years together before John Ralph Austin passed away the next spring, on April 20, 1976 at Grahamsville, New York.

The photo above was taken in the dining room of the old farmhouse at Grahamsville with its wonderful 1940s wallpaper. I remember everything about that room: the smell, the banjo clock on the wall next to Grandpa's pipe stand, the china cabinet in the corner and the old mahogany buffet. I especially remember the dining table! In the photo, the cake is actually sitting on the dining table which was folded up and sitting against the wall. With all the leaves and flip-up sides, the table could accommodate Grandma and Grandpa and all 12 grandchildren at once!

In looking back at my database, I don't have very many grandparents or ancestors who actually made it to their 50th anniversary. What I've found is:

Gustave Henneberg and Magdalena ________, my 2nd great grandparents, were married about 1885 in Germany and remained married for close to 52 years until Lena died on February 10, 1937 in Queens, New York.

Jacob L. DeGroodt and Georgianna Simpson, my 2nd great grandparents, were married on June 5, 1882 and remained married for 50 years until Jacob died on January 9, 1933.

Monday, March 16, 2009

Sunday, March 8, 2009

The Sisters Eight



This post was composed for the 11th Edition of Smile For The Camera ~ A Carnival of Images

When I tell people that my mother was one of 12 children raised in the middle of the Depression, they shake their head in disbelief.  Disbelief not as in, "Oh, I don't believe you," but more like, "Oh, I can't even begin to image that!"

There were eight girls and four boys among the children of Alfred Austin and Anna Henneberg all raised in Jersey City, New Jersey beginning in the early 1930s.  

Back row (l to r): Ann Patricia, Josephine Eleanor, Joan Kathleen.
Center: Anna Henneberg Austin
Front row: Jacqueline Barbara (my mother), June Marcella, Jennifer Loretta, Julia Therese, Judith Frances

The photo above depicts all the females in the family and, alas, it is the only photo I have showing all eight sisters. I have many photos of most of the sisters taken during the past few years but this was after my Aunt Pudgie (Julia Therese) passed away.

I can't wait to see the remaining seven sisters this May when I go home to New York.  Many years ago, they started the tradition of getting together the first weekend in May which is when their mother passed in 1965.  They come together to share a meal, swap stories and memories, and take photos.

Photo: Anna Henneberg Austin and her daughters, abt. 1950. Digital image. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois, 2009

Tuesday, February 10, 2009

A Sharp Dressed Man



Ed Farren and Floss, abt 1905. Digital photograph. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois. 2009.

This post was composed for the 10th Edition of Smile For The Camera ~ A Carnival of Images

The photo above is of my 2nd Great Grand Uncle, Edward Farren, who was born at Donegal, County Tyrone, Ireland on February 8, 1880. The woman in the photo is only identified a "Floss" which I assume is short for Flossie. I am not certain if this is Edward's wife and her identity is one of the many mysteries waiting to be solved in my genealogy research.

I love this photo mostly because of the "costumes" that both subjects are wearing. Most viewers might automatically focus in on Floss' outfit especially the wonderful shoes which had to be put on with a shoe hook. The coat is bold with its wool plaid pattern and contrasting black trim and huge black buttons.

But it is the image of the dapper man that should get noticed. From the shoes to the celluloid collar, the photo shows that men could be just as "put together" as women. His look reminds me of the Arrow Collar ads by the illustrator J.C. Leyendecker from the 1910s and 1920s. I also figure that a man's outfit like this probably cost a pretty penny - as much as a woman's outfit, I bet - and that is why the costume was most likely his "Sunday best."

Friday, January 16, 2009

POSTED 9th Edition of Smile for the Camera!

One nice benefit of being an insomniac is being awake at 2:22 am when someone posts an edition of a much-loved and much-anticipated carnival like Smile For The Camera!

That's right it is up and available with all 47 entries (a record?) with the topic Who Are You?

footnoteMaven also let's us in on what's needed for the 10th edition coming up next month:

COSTUME

The word prompt for the 10th Edition of Smile For The Camera is Costume? No, not as in Halloween. Costume as in dress in general; especially the distinctive style of dress of a people, class, or period. Show us that picture that you found with your family collection or purchased that shows the costumes of the rich to the not so rich, from the civil war to the psychedelic sixties. I know you have them, so share. Admission is free with every photograph!

Your submission may include as many or as few words as you feel are necessary to describe your treasured photograph. Those words may be in the form of an expressive comment, a quote, a journal entry, a poem (your own or a favorite), a scrapbook page, or a heartfelt article. The choice is yours!

Deadline for submission is midnight (PT)
15 February, 2009

HOW TO SUBMIT:

There are two options:

1. Send an email to the host, footnoteMaven (footnotemaven@comcast.net). Include the title and permalink URL of the post you are submitting, your name, and the name of your blog. Put 'Smile For The Camera' clearly in the title of your email!

2. Use the handy submission form (http://blogcarnival.com/bc/submit_4058.html) provided by Blog Carnival, or select the Bumper Sticker in the upper right hand corner.

See you at the Carnival!

Sunday, January 11, 2009

Who Are You? I Thought I Knew . . .



Unknown Boys, 1892. Digital photograph. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois. 2008.

This post was composed for the 9th Edition of Smile For The Camera ~ A Carnival of Images

. . . but now I am stumped. The photo above was one of many in The Box - a large plastic container filled with family items after cleaning out my mother's house in New York back in 2006. On the back is the date 1892 written in pencil on the top. The studio is The World Portrait Studio at 272 Bowery (Manhattan), New York.

The photo is one of many which are unlabeled and while others in a similar state have been solved in terms of identifying subjects and dates, this one remains confounding.  I have my suspicions but I need to mention three other photos which I feel might be related to the one I am calling Unknown Boys.



Elizabeth McGinnis, abt. 1906. Digital photograph. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois. 2008.

Above is a great photo, although its mounting is in poor condition and is one of my top priority conservation projects. It is of Elizabeth Veronica McGinnis, my great grand aunt. She was born about 1889 and died January 23, 1956 in New York City. I love the "Gibson Girl" look and I am assuming that this may have been her high school graduation photo which would date it to around 1906 or 1907.



John McCrickert and Elizabeth McGinnis, abt. 1906-1908. Digital photograph. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois. 2008.

Next, above is another photo which is unidentified but I am positive that it too is of Elizabeth McGinnis with her soon-to-be husband John McCrickert. John was born August 11, 1887 and died December 11, 1955, both in New York City. While I do not have a marriage date, I am dating this photograph around the same time as the portrait of Elizabeth McGinnis or within two years, 1906 - 1908.



John, Maragaret and Edward McCrickert, abt. 1895. Digital photograph. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois. 2008.

One photo that is positively identified is the one above. It is of John, Margaret and Edward McCrickert and was taken at the Silkworth Studio in Brooklyn, New York. John was born in 1887, Edward in 1888 and Margaret about 1893, all in New York. Judging from the photo, I place Margaret's age at about two years, dating the photo around 1895. This makes John age eight and Edward age seven based on the estimated date.

So with these three identifiable photos, I thought that the two boys in the first photo might just be John and Edward McCrickert. But to my eye there is not much resemblance between these two unidentified boys and the ones with Margaret McCrickert. I did further research in my database and I thought it might be the brothers of my great-grandfather John Ralph Austin (1896 - 1976). The evidence does not support such a theory since John's oldest brother Maurice Ira Austin was not born until 1890 which would make him two years old in the photo. In addition, the Austin family lived in Lowville, New York near Watertown and would not arrive in New York City until around 1903.

I have no other possible listings in my genealogy database which might help identify these two boys. Another theory is that the photo is misdated in having 1892 written on the back. To my eye, they look older than John and Edward McCrickert in the photo dated 1895. If the unknown photo is mislabeled, it could very well be Maurice Ira and Harry Dence Austin.

So I will work on resolving the mystery of the unknown boys. While not having information placed on the photos frustrates me, I'd much rather have that than what has happened to many of the photos in The Box: in my great-grandmother Therese (McGinnis) Austin's later years, she insisted on circling the heads of photo subjects and writing their names in ink.

Monday, December 15, 2008

8th Edition of Smile For The Camera Is Posted!

If you haven't visited footnote Maven's great site yet, Shades of the Departed, make your way over there for the latest edition of Smile for the Camera.

Entitled Stocking Stuffer, you'll see over 20 posts from fellow genea-bloggers about which photograph they would use as a stocking stuffer this holiday season and also read about the ancestor or family member they'd most like to receive such a gift.

The 9th Edition of Smile for the Camera has been announced:

Who Are You? I Really Want To Know!

The word prompt for the 9th Edition of Smile For The Camera is Who Are You - I Really Want To Know? Show us that picture that you found with your family collection or purchased, but have no idea who they might be.

Someone took the time to be photographed, someone took the time to send it to a loved one, someone didn't take the time to identify the photograph. And you really want to know who they are. Bring it to the carnival. Share! Maybe one of our readers can help. Admission is free with every photograph!

Your submission may include as many or as few words as you feel are necessary to describe your treasured photograph. Those words may be in the form of an expressive comment, a quote, a journal entry, a poem (your own or a favorite), a scrapbook page, or a heartfelt article. The choice is yours!

Deadline for submission is midnight (PT) 10 January, 2009

HOW TO SUBMIT:

There are two options:

1. Send an email to the host, footnoteMaven. Include the title and permalink URL of the post you are submitting, your name, and the name of your blog. Put 'Smile For The Camera' clearly in the title of your email!

2. Use the handy submission form provided by Blog Carnival, or select the Bumper Sticker in the upper right hand corner at the Shades of the Departed site.

Wednesday, December 10, 2008

A Family of 13 Stuffed In A Stocking



Austin Children, abt. 1950. Digital photograph. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois. 2008.

This post was composed for the 8th Edition of Smile For The Camera ~ A Carnival of Images

The photograph above is one of my favorites since it shows my mother, Jacqueline Austin MacEntee (lower right) and her siblings. When the photo was taken around 1950, the youngest child had not yet been born so only 11 children of Alfred Austin are shown (only!).

Growing up, I was always fascinated by the many stories my mother and my aunts and uncles would tell about growing up with such a large brood. This was during and right after the Great Depression and I know things were tough for everyone, let along a family with 12 children. One story I remember most is my grandfather taking all 12 children to go see the movie Cheaper By The Dozen. I guess my grandfather asked for a discount since he had so many children but the theater owner demanded proof. So my grandfather went home and pulled all 12 birth certificates, came back and everyone got in for free!

Whose stocking would I stuff with this? It would have to be my grandmother, Anna Henneberg Austin, the mother of all these wonderful children. Since she died in 1965 and I never really got to know her, I'd love to hear her take on what it was like to raise 12 children. I would want to listen to every story, hang on every detail and be able to ask questions. I'd want to know how it was to provide food and clothing and the basic necessities; how it was to not know what kind of trouble the kids would get into next; how the joys of a large family outweighed the burdens.

And I'm sure that all her responses to me would fill more than one Christmas stocking. Well, at least 12 of them.



Austin Children, abt. 1998. Digital photograph. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois. 2008.

Sunday, November 9, 2008

The Baby Picture That Started It All

This post was composed for the 7th Edition of Smile For The Camera ~ A Carnival of Images



John Ralph Austin, age 18 months. Lowville, New York, 1898. Digital image. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois. 2008.

My great-grandparents, John Ralph Austin and Therese Rose McGinnis were the first people to get me interested in genealogy and the history of my family. Growing up, I would hear stories of who my Dutch ancestors had arrived in New York during the 1660s.

But while the stories were always interesting, and always seemed to be embellished with each telling, it was the albums of photographs which captivated me the most. The photo above is of my great-grandfather and was taken at a professional studio in Lowville, New York where he was born.

I never saw this photo while my great-grandfather was alive but only after he had died in 1976. My great-grandmother gave this and others to me since she probably felt that I would be the one most likely to preserve the memories and keep telling the stories as they had.

John Ralph Austin was born on January 31, 1896 in Lowville and would be the last of the five sons of William Dence Austin to die, on April 20, 1976. Being the second youngest, I imagine that his outfit - which many today might call a "gown" - was passed down from his oldest brother Maurice Ira Austin who was born in 1890. With his blond hair, posed on an elaborate Victorian style over-sized chair, little did he know that 100 years later he would leave behind over 200 descendants across five subsequent generations.

Tuesday, October 14, 2008

6th Edition of Smile for the Camera Posted!

Becky Wiseman is tickling my funny bone and everyone's with the latest version of Smile for the Camera posted over at Kinexxions. Entitled Funny Bone, this is the 6th edition of one of my favorite carnivals and there are lots of comedic episodes and clowns to be perused. Stop on by!

Friday, October 10, 2008

Funny, Embarrassing or a Cruel Joke?


This post was composed for the 6th Edition of Smile For The Camera ~ A Carnival of Images

The photo looks innocent enough: someone holding up a decorated cake for the camera, the cake says "Happy Confirmation . . ." Or is there more to it than that?

Only if you were part of my family would you begin laughing when you saw this photo, because you had been told the story behind it.

My mother's confirmation took place in 1955 as you can see by these photos:



Above my mother, Jacqueline Austin, poses with her grandmother, Therese McGinnis Austin and her sister who also served as her sponsor, Patricia Austin.



Above Jacqueline Austin poses outside in her confirmation gown.

So what's so funny about the cake photo? Well being part of a family of practical jokers and people who generally kid around quite a bit, someone thought it would be fun to act as if they were throwing the cake out the window. I guess this had my mother quite upset, as any 13-year old would be on her special day. I can't remember who exactly threatened to toss the cake out the window but I bet it was one of her brothers.

After having grown up with what outsiders freely call a "crazy family" I am no longer embarrassed by these jokes - be it one aunt who shows up at every high school graduation with air horns, signs and a loud mouth or aunts who will take over an entire Red Lobster for the afternoon with lots of yelling and laughing.

And to be honest, I don't think I'd have it any other way.

Photo 1: Confirmation Cake. Jersey City, New Jersey, 1955. Digital image. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois. 2008.

Photo 2: Therese McGinnis Austin, Jacqueline Austin and Patricia Austin. Jersey City, New Jersey, 1955. Digital image. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois. 2008.

Photo 3: Jacqueline Austin - Confirmation. Jersey City, New Jersey, 1955. Digital image. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois. 2008.

Monday, September 15, 2008

5th Edition of Smile for the Camera Posted!


Footnote Maven has created a massively sweeping up-do with the latest version of Smile for the Camera posted over at Shades Of The Departed.  Entitled Crowning Glory, this 5th edition of one of my favorite carnivals has every type of hairdo and hairdon't possible.  Stop on by!

Sunday, September 7, 2008

My Hair's Tortured Past



This post was composed for the 5th Edition of Smile For The Camera ~ A Carnival of Images

Rather than focus on the hair of my ancestors and its various forms from the bob of the 1920s, the "marcelled" look of the 1930s up through the beehive in the 1960s and the use of a "switch" a la Auntie Mame, I've decided to let you all in on the tortured past of my hair, in pictures no less.

My obsession with hair started as a young child, as you can see above, posing with one of my mother's many wigs. Did your mother have a wig or two, perhaps placed on a styrofoam wig head, safely tucked away in a wig box? Or perhaps there was a small case full of switches or hairpieces? My mother used to have a long ponytail that matched her hair color and it would be tucked into her natural hair when going out to a social event. I also remember older women in my family with their bun hairpieces or other sorts.

As are most men in my mother's side of the family, I am blessed with a full head of hair despite my advancing years and the stresses of work, home and life in general. While most men start losing their hair in their 30s, the men in my family tend to go to their graves with shocking amounts of hair on top of their heads. But, as in most pleasures of life, there is a drawback, or a "gotcha:" the hair will turn prematurely gray. I know this for a fact and have seen it in photographs of various family members.

What to do? Well only my hairdresser knows for sure, but in my youth, hair color was my friend. I came of age during the early 1980s with the Punk and New Wave trends in place and with those styles came bizarrely colored hair. I often say that my hair has been so many colors that my dandruff looked like jelly beans and my shadow looked like a stained glass window. You name it, I had it - though I was partial to pink. Shocking pink. [Note: the photos of me with bizarrely colored hair have somehow disappeared and not to be found. Surely, I would share them with you, my dear readers, if only I had access to them. Not.]

When I moved to California, I was soon taken with the Billy Idol look so then peroxide became my new friend. A bottle blond was I and not ashamed of it as you can tell by this photo:



Photo 1: Thomas MacEntee, age 7. Liberty, New York, 1969. Digital image. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois. 2008.

Photo 2: Thomas MacEntee, age 26. San Francisco, California, 1989. Digital image. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois. 2008.

Thursday, August 14, 2008

The 4th Edition of the "Smile for the Camera" Carnival is Posted!

Get thee over to footnoteMaven's site Shades of the Departed where she has just published the 4th Edition of Smile for the Camera. With the topic of My Favorite Photograph, fM had 40 entries which is a record.

My entry entitled My Favorite Photograph tells the story of Anna McPhillips Austin and how she was killed by a runaway automobile in The Bronx at the age of 36.

I think that not only the Genea-Blogger Games are responsible for the level of participation but the Genea-Blogger Group on Facebook allows fM and all of us to better publicize events and carnivals.

Also, don't forget the upcoming 5th Edition with the topic of "Crowning Glory.":

Show us those wonderful photographs of hairdos and maybe even a few don'ts. Don't limit yourself to just hair fashion through the ages, got a great photograph of a hat, helmet, bonnet, or some other interesting headgear? Share!

Choose a photograph of an ancestor, relative, yourself, or an orphan photograph that is the epitome of Crowning Glory and bring it to the carnival. Admission is free with every photograph!

Your submission may include as many or as few words as you feel are necessary to describe your treasured photograph. Those words may be in the form of an expressive comment, a quote, a journal entry, a poem (your own or a favorite), a scrapbook page, or a heartfelt article. The choice is yours!


For those of you who know about my checked coiffure past, including the Billy Idol look and my multicolor mohawk, don't get your hopes up for seeing too many photos of said hair don'ts.

The submission deadline is 12:00 am (midnight) PDT, September 10, 2008. You may e-mail footnoteMaven with the title and permalink URL of the post you are submitting, and the name of your blog (put "Smile For The Camera" clearly in the title of your email) or submit it here. You may also view the event on Facebook at http://www.facebook.com/event.php?eid=23143487866.

Sunday, August 10, 2008

My Favorite Photograph



This post was composed for the 4th Edition of Smile For The Camera ~ A Carnival of Images

When the theme for this edition of Smile For The Camera was announced, I knew within five seconds which photo I would select. This image of Anna McPhillps Austin taken around 1923 has always made an impression on me.

I've posted the tragic story of Anna before on this blog but I think the story is one that can endure another telling.

Anna T. McPhillips was born on October 27, 1889[1] in the small town of Lowville in Lewis County, New York where my great-grandfather John Ralph Austin was born. My great-grandfather's brother, Maurice Ira Austin would eventually marry Annie, as she was known, on February 20, 1912 in New York City [2] .

Annie and Maurice (pronounced as Morris) had two children, both born in The Bronx, New York: Dorothy Marie Austin born on April 29, 1913[3] and Eugene J. Austin born on January 10, 1917[4].

Annie died suddenly on May 8, 1925 as a result of an automobile accident in which she was struck by a car. A short article in the Utica Observer Dispatch, dated May 10, 1925 states "The telegram simply stated that Mrs. Austin had been struck by an automobile, of which the driver had doubtless lost control, jumped the curb." [5]

I have spent much of the day trying to find more information about the accident itself and I've been questioning myself as to the "why" and the "how" it relates to this photo. I love the sense of mystery involved, not being able to fully see Annie's face. I also think that the cloche hat, the 1920's style dress with no waistline, the beaded necklace all add to the charm of the image.

I was hoping that at least a small article as to the circumstances of the accident would have appeared in at least one of the New York papers, but all I could find was an article dated May 8, 1925 describing a runaway automobile in the Bronx that injured four people.

I am almost certain that this accident is the same one that killed Anna McPhillips Austin but there are some items in the article which cause doubt: a) the article was published May 8, 1925 the same day that Annie died. The article states that the accident occurred at 163rd Street and Third Avenue "last night" meaning May 7. 1925; b) Annie could have been struck on May 7 and died the next day but there is no mention of her, or even of an unidentified woman in the article - only four persons who were ". . .all attended by an ambulance surgeon and went home;" and c) could Annie have been pinned by one of the automobiles struck by the runaway car and this was discovered after the reporter had left the scene?[6]

I have an email into my 2nd cousin once removed who is the grandson of Annie and I've asked him to provide any details he can concerning the accident.

Sometimes when I look at the photo of Annie in that dress with that hat, I wonder if I would have had the chance to meet her as a child, what influences she would have had on the family and more. But due to her brief life I have very few details as to who Anna T. McPhillips Austin really was.

Notes:

[1] Putman, George W., Genealogy of David Putman and His Descendants, (Private publication, 1916), p. 49.

[2] NY City Health Department, NY City Grooms Index, 1908 - 1936, (http://www.italiangen.org/NYCMarriage.stm) accessed on August 8, 2008 citing Manhattan Marriage Certificate #5305. Note: Anna McPhillips listed as Anna McPhelips.

[3] Moore, Edith Austin, A Genealogy of the Descendants of Robert Austin of Kingstown, R.I., (St. Petersburg, FL: 1951), p. 320.

[4] Id.

[5] "Killed In New York," (http://www.fultonhistory.com/Fulton.html) accessed on August 8, 2008 citing Utica Observer Dispatch, May 10, 1925, page 5.

[6] "Wild Auto Runs Upon Sidewalk, Injuring 5; Hits Another Car, Saving Safety Zone Crowd," (http://www.nytimes.com) accessed on August 8. 2008 citing New York Times, May 8, 1925.

Monday, July 14, 2008

The 3rd Edition of the "I Smile for the Camera" Carnival Posted

I thoroughly enjoyed this edition of "I Smile for the Camera" hosted by footnoteMaven over at Shades of the Departed. The topic is "Celebrate Home" and my entry The Summer Jar was a joy to write and very cathartic for me - with summer upon us here in Chicago I've been thinking quite a bit about my summers spent at my great-grandparents' house in Grahamsville, New York. If you haven't had a chance to view all the posts for this great new carnival, please take some time and make a visit.

The topic for the next edition is "My Favorite Photograph":

The 4th Edition of Smile For The Camera takes its word prompt from the Ace of Hearts. What photograph do you consider "My Favorite Photograph," the one that has won your heart.

Choose a photograph of an ancestor, relative, yourself, or an orphan photograph that is your favorite family photo or that photograph you've collected and wouldn't give up for a King's ransom.

Is it the only photograph of an ancestor, is it funny, poignant, or very rare? My favorite photograph is the first one I ever collected. What's yours? Share it with us! Then get back out in the summer sun.

Your submission may include as many or as few words as you feel are necessary to describe your treasured photograph. Those words may be in the form of an expressive comment, a quote, a journal entry, a poem (your own or a favorite), a scrapbook page, or a heartfelt article. The choice is yours!


For more information, visit Shades of the Departed.

Tuesday, July 8, 2008

The Summer Jar

This post was composed for the 3rd Edition of Smile For The Camera ~ A Carnival of Images

Author's note: this is a very long story that I've been working on for some time. The Summer Jar falls into the genre of autobiographical fantasy (in which I re-create the events of my youth) and tells of my summers spent as a child at the home of my great-grandparents, John Ralph Austin and Therese McGinnis Austin.

While I usually don't tell readers how to read my posts, this is one to savor and take slow, like a piece of blueberry pie out on the front porch on a hot summer night. Enjoy!


"Where did you spend most of your summers?" my niece Rosie asked one evening during a way too short visit here. She was the only pint-sized relation who seemed to connect with me on the concept of family history and preserving the past.

I had to think. Not that I couldn't remember or give an answer right away, but wanting to gather all the memories of summers spent with my great-grandparents in Grahamsville and forget not one. Then I remembered The Summer Jar.

"Probably the same types of things you do now during your summers," I said. "Want to see?"

"How can I see into the past? Are we going to use some sort of time-machine?" she said in disbelief. At age 10 she could be very vocal, have strong likes and dislikes and not be shy about picking apart one's statements. The trait of strong-willed independent women in the family endures.

"Let's go get the Summer Jar," I said as I stood up to go back inside the house. I was already 20 feet into a gallop before she could even ask what a summer jar was.

Both of us had spent the last half-hour watching and gathering fire flies, just as I had done at Grandma's house on still half-baked summer nights. My brother and cousins and I would run around the house trying to trap as many as we could, anxious to have enough to power a lantern so we could find our way in the dark. Up here, in "The Country" as the city people called it, there were no streetlights, no barriers to star gazing. It could get very dark and a firefly lantern was not only fun to make but useful too.

She tagged along behind me, as we left our lanterns on the weathered picnic table in the gathering dusk. On the front porch, tucked away behind some childhood books - the Hardy Boys series were my favorites - was a large mason jar, the kind with the old-fashioned lid with a metal cage, rubber seal and locking mechanism. Rosie's eyes grew wide as she looked at the contents crammed inside.

And as I opened the jar, and tilted the contents out, a feast for the eyes as well as the nose revealed itself. Despite being able to see clear through, there were little hidden gems inside, gems that I didn't remember until they tumbled forward like rain drops off the old rusty gutters of that summer house of my youth. The memories that started as a trickle soon became a torrent.

I decided to take an inventory and explain each item but at my own pace. Children of a certain age can become impatient, discarding a moment to move on to the next, unaware that some things require a longer gaze, a stronger focus. So before Rosie could chime in with a dozen "what's thats," I told her I would go over everything in the Summer Jar and explain what it was, where it came from and why I decided to keep it.

Luckily for me and my fading memory, years ago I wrote out a small inventory sheet, in my not-so-perfect Palmer method hand-writing despite the admonitions and incantations of Sister Mary Joseph.

Old photos
Berry Smears and Butternut
Crushed Penny
Pillow
Rocks
Pressed Flower
Piece of Wood
Cassette Tape
Stories


Old Photos

The jar contained several photos, all taken over the years at the Grahamsville house where generations had spent their summers. As Rosie pored over them, I gave a narration for each even though they all had been labeled with information on the rear of each picture.



Therese McGinnis Austin and John Ralph Austin. Photograph. Abt 1947. Digital image. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois. 2008

My great-grandparents, whom I affectionately called Grandma and Grandpa, bought the house around 1944 and moved up from New York City sometime thereafter. The house is shown behind them, painted white all over.



Jacqueline Austin. Photograph. Abt 1952. Digital image. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois. 2008

My mother at around age 11 with a coloring book out in front of the house. You can see the outline of where the front porch used to be (see Stories below for more info).



Great-grandparents' house in Grahamsville, NY. Photograph. Abt 1975. Digital image. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois. 2008

This photo was taken on May 30, 1975 just prior to my great-grandparents' 60th anniversary party. This is how I remember the house during my summers there.

Berry Smears and a Butternut

Many of my summer memories at the Grahamsville house involve berry picking. Most of my cousins saw this as a chore - they hated having to wander the 33 acres of land, walking on stone fences filled with snakes, and picking berries until the metal pot attached to your waist with a piece of rope was full. There were rules about berry picking: pick more than you eat, no green berries and no leaves or twigs.

Blueberries were the type of berry picked most often. We would start picking in July and Grandma would cook them down for jam, make pies, or my favorite, Blueberry Buckle. In later years, she had a chest freezer and would freeze the berries for use during the winter.

Besides blueberries we also could pick raspberries, blackberries, currants and gooseberries. A way for me to capture the memory of berry picking was to smear a few on heavy cardstock and let it dry.

The butternut tree was the main focus of the backyard of the house, before the hay fields started to fan out in every direction. I don't remember gathering the nuts or seeing Grandma use them for anything. I just know that I had never seen a real nut tree before in my life.

A Crushed Penny

I could see Rosie was playing with a very thin piece of copper that looked like a slug. And before I could hear the first "what's that," I said, "It's a penny that was crushed by one of the last steam locomotives to come through Sullivan County."

Now I wished I had written down the details of that day - I believe it was 1970 or 1971 which would have made me about 9 years old. I think my niece was just amazed that I had seen an actual locomotive, "like in old movies" as she kindly pointed out. The amazing part is that I had witnessed the passing of an era.

The event took place in Callicoon which is on the Delaware River right across from Pennsylvania. It was a Memorial Day weekend and the organizers of the event (which I am sure were railroad enthusiasts), in making sure that all the little tykes were safe, brought them to an area where they could place a penny to be crushed by the train as it went by. For me and my brother this was loads of fun.

We were able to look around the steam engine once it had stopped, and learn more about the ins and outs of its operations. Steam engine trains traveled in Sullivan County along the Erie railroad built in the mid-19th century. At the turn of the century the trains brought tuberculosis sufferers up to "the mountains" where many sanitariums had been built to provide fresh air, good food and rest. After the epidemic, these same places were turned into boarding house and then hotels to be used by New York City residents looking to escape the heat of summer.

By 1970, when the last steam locomotive ran, the heyday of the Borscht Belt with its all inclusive resorts like The Grossinger and The Concord had passed off into the distance as well.

Pillow

I picked up the small, dark red velvet pillow and gave it a squeeze. I knew what was inside and I also knew for certain that Rosie didn't. "Have you ever heard of milkweed?" I asked her. With a perplexed look, I knew what her response would be, and sure enough: "Why do they call it milkweed?"

I explained that at Grandma's there were plenty of milkweed plants littered across the many acres. The plants grew up to 6 feet tall and if you cut one of the "pods" before it opened, a milky substance, sort of like latex, came out. Besides most of the plant being toxic, the pods opened to reveal long fibers attached to seeds which the wind would carry away.

At the Grahamsville house the variety found was known as the Common Milkweed and since Colonial times it had been used for various medicinal and household purposes. Some people deem the plant edible if it is cooked properly, while others think the white sap can be used for a variety of ailments. But the most common use was as a stuffing for pillows and quilts.

Grandma would remove the long fibers just before they had a chance to scatter in the breeze, and place them on trays inside the house to dry. Sometimes she would remove the dark seed ends but they involved quite a bit of work. Once dry, she fluffed up the fibers and placed them in a bag for future use. Almost all of the pillows that she made were stuffed with milkweed fibers as many of our ancestors in upstate New York and New England probably did over 300 years ago.

Rocks

These smooth rocks are from one of the local swimming holes - my favorite being the river and falls near Accord in Ulster County. I detested lake swimming - lakes were abundant where I grew up but the rocks were slimy, there were many fish and other creatures, and you always smelled like The Swamp Thing when you got home. It made no sense to me to have to take a bath after you went swimming in a lake!

My brother and I had a game of communicating using two rocks underneath water - it also kept the fish away. Of course, it annoyed anyone who was underwater at the time since they didn't know where the sound was coming from.

Pressed Flower

Grandma always had a garden, even late in life, despite the fact that there could be frost as late as Memorial Day, making for a rather short growing season. By the time I began spending my summers there, the large vegetable garden beside the house was long gone. During the 1940s and 1950s, it was used to feed the 12 grandchildren (my mother and her siblings) and other visitors for the summer.

Gardening was not a hobby - it was a necessity! I am sure that Grandma started out with a Victory Garden like so many other families. Being a "city girl" somehow she got the hang of it, often relying upon neighbors for advice. There were all sorts of vegetables, mostly the type that commonly grew best in upstate New York: green beans, wax beans, peppers, tomatoes, squashes, cucumbers, radishes, potatoes, cauliflower, cabbage, etc. Nothing too exotic.

And what wasn't consumed right away was canned - Grandma had a big canning operation, especially since she had a dozen pint-sized assistants available! I do remember one story that Grandma was up to her neck in canning green beans - perhaps there was an impending frost and she had to harvest what she could. Well, despite having the canning operation at full tilt, she did take time to run out and see High Noon one night since it starred Gary Cooper! Beans or no beans, she was not going to miss it!

The pressed flower is from the gardens in front of the house where Grandma grew roses, marigolds, zinnias and columbine which were my favorite. This particular flower is from something Grandma called a "Memorial Day plant" with white lemon-scented blossoms. I actually think it was lemon verbena - perhaps the name was one used by locals since the plant broke its dormancy right around Memorial Day.

Piece of Wood

Before I could get to it, my niece had found a small piece of weathered barn siding still with its red pigment.

"Is this a piece of wood from the barn on the property?"

"Sort of," I said. "It is actually from an outbuilding that my mother and her brothers and sisters called 'The Dollhouse.'"

The Dollhouse was rumored to be the original house built in the mid-1840s before the larger house was built at the turn of the century. It was two stories, had been stained a "barn red" color during the 20th century so as to match the chicken coop next to it and the barn up and across the road.

I remember Mom telling me how it got its name: basically it was used by her and her sisters so that they could play with their dolls. When I spent my summers, the Dollhouse was definitely not safe enough to play in. There were no stairs and part of the roof had fallen through. But I can only imagine the kind of fun that those girls must have had with their dolls and their refuge from their four brothers.

Cassette Tape

I had to laugh out loud when I saw the cassette tape. My brother and I had received a tape recorder as a Christmas gift one year and like many toys and gadgets, it became "uninteresting" by mid-January. But for some reason, we had it with us one summer at Grandma's. We would laugh and giggle as we recorded each other talking and then listen on the playback, thinking our voices sounded so funny. We'd also try to sneak into the living room at Grandma's and secretly tape record some "adult conversation" especially when someone was telling a risque joke. One night, right around this same time, we decided to set up the tape recorder on one of the stone fences at the house and see what wild animals we could record. Our imaginations ran wild as we thought for sure we'd hear snakes slithering among the rocks, or deer coming out to drink from the stream, or even the beavers chopping down trees near their dam on the propery. So we had everything set, made sure we had a good tape with 45 minutes available on one side, set it to record and ran back to the house.

The next morning, Grandma thought it was odd that we wanted to go outside even before getting dressed or having breakfast. But she didn't know the treasure that awaited us outside! Besides, at the Grahamsville house breakfast was the least interesting and the scariest meal of the day. It usually consisted of eggs, bacon or scrapple, toast, prunes stewed in tea and some 100% bran cereal that made Grandma sneeze half the day after she ate it. Oh the things she did for fiber!

So as not to embarass Grandma by running down the road in our pajamas lest the neighbors three miles away should see, Michael and I went through the mechanics of washing up, getting dressed and eating breakfast. With a quick, "May I please be excused?" to Grandpa, we took off on a tear.

We ran down the hill as fast as we could and veered towards the stone fence on the left. First we had to make sure that someone or better yet some thing hadn't run off with our recorder. It was still there! And luckily the machine shut off once it had reached the end of the first side (note to current youth: yes, you had to flip the tape over to record to the other side. These were the dark days before CDs and MP3 players). In anticipation we hit the large Play button and listened carefully. For the first five minutes there was nothing. Nothing at all.

"Maybe we hit Play instead of Play and Record?" I said.

My brother was insistent that we set the machine up perfectly. "Why don't we fast forward a little?" he said.

Good idea. So about half-way through, we started hearing weird noises like grunts and groans, and then the sound of crunching trees or brush. This went on for a few minutes and then you could hear whatever it was scatter away.

Amazing! We actually caught the sound of something! As I wondered what it might be, my brother suggested we set the recorder out again, but a little earlier than the night before. That way we could possibly observe and catch a peek at this creature if it came back again.

So as the setup was done and we went off to the other side of Low Road, which saw all of three cars of through traffic a day, and waited. Within five minutes, one of the neighbor cats up the road sauntered its way down the hill and took a turn to the left, hopping up on the stone fence. And wouldn't you know that it went right for the tape recorder? It sat there for several minutes rubbing its head against it, and laying on top of it.

Disappointed that we didn't catch the sounds of any exotic creatures, we were kind of relieved that it was only a cat wanting some human attention.

Stories

Rosie was flabbergasted that I didn't watch television (or play video games for that matter) during my summers in Grahamsville.

"Didn't your great-grandparents have a tv?" she asked.

"Sure they did but the reception was horrible since there was no cable (and there still isn't). Plus who needed television when there was so much other stuff to do: play outside, read, and talk."

"Talk? That's not entertainment."

I explained to her that I didn't mean talk in terms of just every day conversation with another person. Evenings after supper were a time to retell old stories or discuss the events of the day and politics. My favorite part were the stories, especially stories about the house in Grahamsville.

There are so many stories, and for fear of not being able to retain them in my memory, one year I took to writing some of them down on 3 x 5" file cards. Here are a few:

- the time a stampede of cows came down from the Mateer dairy farm up the hill and took the entire front porch off the house. It never was rebuilt - there was just a small stoop to the front door which opened into the dining room. If you looked closely at the clapboard siding, you could see the outline of where the porch had been. I know that there was a photo of the stampede and I wish I could find it - that would be a great addition to the jar.

- the time Grandma went out berry picking in a fur coat since it was a very cold July morning. Unfortunately Grandpa thought it was a bear and went for his shotgun before he realized who or what it actually was.

Back On The Shelf

After what seemed like minutes but was actually over an hour, we both gathered up the items and placed them back in the jar. While the entire review of items and the ability to pass along the stories to another generation was thoroughly enjoyable and satisfying for my soul, there was still some sad news that I did not convey to Rosie. The Grahamsville house burned down in April 1979 while my great-grandmother was staying with us. She had spent her winter in Florida with her nieces and was waiting for warmer weather before opening up the house. Apparently, someone had broken into the house intent on finding great foturne and either they set the place on fire to cover their tracks or as revenge for not finding much of monetary value. The house and most of its conents were a total loss.

There were so many family artifacts that went up in smoke that day but no amount of tears or speculation can bring them back. But I am so glad I made that Summer Jar one year as the season came to an end. It has been a source of fascination for my niece, nephew and others who could not be there to spend summers so enchanting and adventurous that you thought that the next day could never beat the one that had just ended.

"Uncle Tom?" Rosie said as she interrupted my thoughts. "Do you think I should make a Summer Jar? Can you help me?"

"Sure thing kiddo. Why don't we start by making a list of all the things to put into it and then in the morning we'll start to gather them up."

Like capturing fire flies, I hoped she could catch as many momentos and memories as possible and fill that jar. And realize its value years from now.

Saturday, June 14, 2008

2nd Edition of Smile For The Camera Published

If you want a nice break from the summer heat this weekend, head on inside, pour yourself a glass of iced sweet tea and spend a few moments at footMaven's new site Shades Of The Departed where she has posted "Bells and Beaus" - the 2nd Edition of Smile For The Camera - A Carnival of Images.

Tuesday, June 10, 2008

A Small Town Wedding

This post was composed for the 2nd Edition of Smile For The Camera ~ A Carnival of Images



Jacqueline Austin MacEntee and Richard MacEntee. Photograph. July 1, 1961. Digital image. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois. 2008.

I've been to so many weddings back in my hometown of Liberty, New York - population 4,000 - and I am certain that the wedding of my parents followed much of the same traditions and protocols. You have to realize that, and it is no joke, my hometown was and continues to be about 40 miles from nowhere. When I try to describe the atmosphere to various people, they can't image a place being only 90 miles from New York City yet being so isolated. As I grew up, I felt that Liberty was 90 years from New York City, and like most youth, could not wait to graduate from high school and leave.

As for weddings, there were no banquet halls; one always knew that a wedding reception was either at a firehouse, the Grange Hall, the Knights of Columbus, the Elks, the Fireman's Park or someone's backyard. Food was more often cooked by several women in town who served as the "caterers" for these locations and the type of food served depended on which location you selected. If I remember correctly, the Knights served Italian, the firehouse or the Fireman's park might hold a cookout if the weather were cooperative, and all the others served what we called "homemade food."

I was lucky enough to inherit the wedding album for my parents who were married on July 1, 1961 in Liberty at St. Peter's Roman Catholic Church on North Main Street.

I know that my parents did not have a lot of money when they got married - my mother's gown was the "something borrowed" since it was loaned to her by her older sister Jo'El Austin DeStefano who was married in September 1956. The reception was held at the Grange Hall in town and the food was, to me, the best kind - homemade.



Alfred Austin and Jacqueline Austin. Photograph. July 1, 1961. Digital image. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois. 2008.



Richard MacEntee and Jacqueline Austin MacEntee. Photograph. July 1, 1961. Digital image. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois. 2008.



Jacqueline Austin. Photograph. July 1, 1961. Digital image. Privately held by Thomas MacEntee, [ADDRESS FOR PRIVATE USE,] Chicago, Illinois. 2008.

I never remembered these images growing up, probably because the wedding would last a little over nine years. I think my favorite photo is the one of my mother in the mirror.